Main Program
The Ukrainian Film Festival Berlin 2024, under the theme "The Art of Being Free," will take place from October 23 to 27, marking its fifth anniversary. The festival celebrates the latest Ukrainian auteur cinema and focuses on liberation from external control and internal erasure. This year's festival highlights decolonization processes in Ukraine and other former Soviet states like Armenia and Georgia.
A special tribute to Serhii Parajanov will honor his 100th birthday, and, for the first time, a short film competition will be part of the program.
Ukraine, Netherlands | 2024 | Documentary | 84’
with Q&A after the screening
The war in Ukraine threatens the unity of a cheerleading group of women over 50. While one member flees to the Netherlands, others remain in war-torn Kharkiv, struggling to maintain their bond despite the scars of war.
SCREENINGS
27.10., 19:00
Doors 18:00
Filmtheater Colosseum - Kino 1
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2023 | Documentary | 62’
The film tells the story of a Ukrainian woman who, during the Russian invasion, abandons her travel business and begins transporting the bodies of fallen soldiers. Like the mythological Charon, who ferries souls across the river Styx, she transports the bodies of the fallen.
SCREENINGS
26.10., 18:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
Ukraine, Germany, Poland, Slovakia | 2023 | 114' | Original Version with English subtitles
Locarno Best Director winner
with Q&A after the screening
Set amidst stunning Ukrainian winter landscapes and emerging feelings of alienation between people in a post-Soviet society, Stepne is the story of Anatoliy, a man who comes back home to take care of his dying mother. A meeting with his brother and a woman he loves makes him reflect on the choices he made along the way. And just before her death, the mother tells Anatoliy about a treasure…
Director’s note
As an artist, I was always interested in the topic of disappearance, departure and parting with something valuable. The silence of past generations about their history made me create this film – as a question of my country's Soviet past.
Maryna Vroda
SCREENINGS
25.10., 18:00 - Kino 2
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2023 | Documentary | 72’
with Q&A after the screening
A Picture to Remember is an essayistic narrative about the war from the perspective of three generations of women. There are frequent video calls between Chernykh, her mother (a pathologist who works above a morgue where one feels surprisingly safe during the bombings) and her grandmother. Recordings of their conversations are intercut with photos and videos from the family archive and news reports, as well as images of microorganisms that Chernykh's mother observes under a microscope.
SCREENINGS
24.10., 19:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
Ukraine, Germany, Slovakia, Czech Republic | 2023 | 126’
with Q&A after the screening
The young biologist Jura leads a quiet life until he discovers arson while searching for an extinct marmot and tries to uncover the truth. In the process, he gets caught up in an absurd network of media and politics. Roman Bondarchuk's second feature film is a satirical, bizarre mixture of sci-fi and social criticism that, despite all the absurdity, keeps the focus on humanity. Shot before the Russian invasion, the film pays homage to Bondarchuk's home region of Kherson.
SCREENINGS
24.10., 17:45
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine, Norway | 2024 | Documentary | 95’
with Q&A after the screenings
Maria Stoianova's father was a figure skater with the Soviet-Ukrainian “Ballet on Ice”. In 1986, he bought a camera and began documenting his tours in the West and his family life. The director weaves the nostalgic footage and commentary into a fascinating film essay about the nature of memory and the ability of images to capture it.
SCREENINGS
23.10., 19:00
Doors 18:00
Filmtheater Colosseum - Kino 1
Schönhauser Allee 123, 10437 Berlin
Ukraine, Netherlands | 2024 | Documentary | 84’
with Q&A after the screening
The war in Ukraine threatens the unity of a cheerleading group of women over 50. While one member flees to the Netherlands, others remain in war-torn Kharkiv, struggling to maintain their bond despite the scars of war.
SCREENINGS
27.10., 19:00
Doors 18:00
Filmtheater Colosseum - Kino 1
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2023 | Documentary | 62’
The film tells the story of a Ukrainian woman who, during the Russian invasion, abandons her travel business and begins transporting the bodies of fallen soldiers. Like the mythological Charon, who ferries souls across the river Styx, she transports the bodies of the fallen.
SCREENINGS
26.10., 18:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
Ukraine, Germany, Poland, Slovakia | 2023 | 114' | Original Version with English subtitles
Locarno Best Director winner
with Q&A after the screening
Set amidst stunning Ukrainian winter landscapes and emerging feelings of alienation between people in a post-Soviet society, Stepne is the story of Anatoliy, a man who comes back home to take care of his dying mother. A meeting with his brother and a woman he loves makes him reflect on the choices he made along the way. And just before her death, the mother tells Anatoliy about a treasure…
Director’s note
As an artist, I was always interested in the topic of disappearance, departure and parting with something valuable. The silence of past generations about their history made me create this film – as a question of my country's Soviet past.
Maryna Vroda
SCREENINGS
25.10., 18:00 - Kino 2
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2023 | Documentary | 72’
with Q&A after the screening
A Picture to Remember is an essayistic narrative about the war from the perspective of three generations of women. There are frequent video calls between Chernykh, her mother (a pathologist who works above a morgue where one feels surprisingly safe during the bombings) and her grandmother. Recordings of their conversations are intercut with photos and videos from the family archive and news reports, as well as images of microorganisms that Chernykh's mother observes under a microscope.
SCREENINGS
24.10., 19:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
Ukraine, Germany, Slovakia, Czech Republic | 2023 | 126’
with Q&A after the screening
The young biologist Jura leads a quiet life until he discovers arson while searching for an extinct marmot and tries to uncover the truth. In the process, he gets caught up in an absurd network of media and politics. Roman Bondarchuk's second feature film is a satirical, bizarre mixture of sci-fi and social criticism that, despite all the absurdity, keeps the focus on humanity. Shot before the Russian invasion, the film pays homage to Bondarchuk's home region of Kherson.
SCREENINGS
24.10., 17:45
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine, Norway | 2024 | Documentary | 95’
with Q&A after the screenings
Maria Stoianova's father was a figure skater with the Soviet-Ukrainian “Ballet on Ice”. In 1986, he bought a camera and began documenting his tours in the West and his family life. The director weaves the nostalgic footage and commentary into a fascinating film essay about the nature of memory and the ability of images to capture it.
SCREENINGS
23.10., 19:00
Doors 18:00
Filmtheater Colosseum - Kino 1
Schönhauser Allee 123, 10437 Berlin
Ukrainian Shorts Competition
For the first time, the festival will feature a short film competition. Two programs explore powerful human stories shaped by war, displacement, and loss, while also reflecting on identity and decolonial perspectives.
The jury, consisting of Mariette Rissenbeek, who has been the director of the Berlinale for many years, Robert Wunsch (D-Facto Motion), Roman Bondarchuk (director of The Editorial Office), and Isabelle Stever (film director), will select the winner. The best film will be awarded two prizes: the 'Best Short Film Award,' which includes a monetary prize, and the 'D-Facto Motion Post-Production Award for the Best Film,' offering post-production services.
Meanwhile, the out-of-competition program, "Don’t be a Square!" celebrates bold Ukrainian cinema, featuring everything from thrilling horror to surprising comedies and creative student films. Each program promises an emotional and unforgettable journey through the world of short films.
with Q&A after the screening
FROM THE PAST by Hanna Palamarchuk I 1'
NUANCE by Marharyta Voronova & Oleh Kibalnyk | 21’
YA VZHE NE UYIDU NIKUDA (I WON’T GO ANYWHERE) by Heorhii Krasnobryzhev | 18’
THREE BEASTS by Volodymyr Postupnyi | 20’
METALLIC TASTE by Ivan Krupenikov | 20’
UZHOROD TO THE SHELTER by Oleksandra Horiienko | 8’
SCREENINGS
25.10., 21:15
ACUD Kino
Veteranenstraße 21, 10119 Berlin
with Q&A after the screening
BOOTS ON THE GROUND, HANDS IN THE SOIL by Karolina Uskakovych | 16’
COMMA by Sonia Leliukh | 4’
WHERE RUSSIA ENDS by Oleksiy Radynski | 25’
AS IT WAS by Anastasiia Solonevych & Damian Kocur | 15’
METRO-TRAM by Kateryna Yahodka | 9’
SCREENINGS
26.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
27.10., 18:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
with Q&A after the screenings
I DIED IN IRPIN by Anastasiia Falileieva | 11’
BEWARE OF A GOOD DOG by Adelina Borets | 26’
VOICE MESSAGES FROM BAKHMUT by Ihor Babaiev | 15’
IN PARIS NO ONE THINKS ABOUT TOMORROW by Andrii Kokura | 14’
DOVECOTES OF KYIV by Mykhailo Volkov | 10’
SCREENINGS
24.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
26.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
with Q&A after the screening
FROM THE PAST by Hanna Palamarchuk I 1'
NUANCE by Marharyta Voronova & Oleh Kibalnyk | 21’
YA VZHE NE UYIDU NIKUDA (I WON’T GO ANYWHERE) by Heorhii Krasnobryzhev | 18’
THREE BEASTS by Volodymyr Postupnyi | 20’
METALLIC TASTE by Ivan Krupenikov | 20’
UZHOROD TO THE SHELTER by Oleksandra Horiienko | 8’
SCREENINGS
25.10., 21:15
ACUD Kino
Veteranenstraße 21, 10119 Berlin
with Q&A after the screening
BOOTS ON THE GROUND, HANDS IN THE SOIL by Karolina Uskakovych | 16’
COMMA by Sonia Leliukh | 4’
WHERE RUSSIA ENDS by Oleksiy Radynski | 25’
AS IT WAS by Anastasiia Solonevych & Damian Kocur | 15’
METRO-TRAM by Kateryna Yahodka | 9’
SCREENINGS
26.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
27.10., 18:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
with Q&A after the screenings
I DIED IN IRPIN by Anastasiia Falileieva | 11’
BEWARE OF A GOOD DOG by Adelina Borets | 26’
VOICE MESSAGES FROM BAKHMUT by Ihor Babaiev | 15’
IN PARIS NO ONE THINKS ABOUT TOMORROW by Andrii Kokura | 14’
DOVECOTES OF KYIV by Mykhailo Volkov | 10’
SCREENINGS
24.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
26.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
UA Hits
Ukraine | 2023 | 107’
The 1990s in Kyiv: violence, sex and love among Ukrainian teenagers. A fast-paced and exciting film by a director with music video experience.
SCREENINGS
26.10., 19:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
27.10., 20:00
City Kino Wedding
Müllerstraße 74, 13349 Berlin
Ukraine | 2024 | Feature Film | 104’
A feature-length film based on the story "Me, a Pobeda and Berlin" by the legendary Ukrainian musician Kuzma Scryabin. A comedy-adventure about two friends on a road trip to Berlin, filled with unexpected twists and self-discovery.
SCREENINGS
25.10., 20:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
26.10., 20:00
City Kino Wedding
Müllerstraße 74, 13349 Berlin
Ukraine | 2024 | Documentary | 79’
A documentary about people and their pets amidst the Russian invasion of Ukraine in 2022.
SCREENINGS
25.10., 19:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
27.10., 20:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Ukraine | 2023 | 107’
The 1990s in Kyiv: violence, sex and love among Ukrainian teenagers. A fast-paced and exciting film by a director with music video experience.
SCREENINGS
26.10., 19:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
27.10., 20:00
City Kino Wedding
Müllerstraße 74, 13349 Berlin
Ukraine | 2024 | Feature Film | 104’
A feature-length film based on the story "Me, a Pobeda and Berlin" by the legendary Ukrainian musician Kuzma Scryabin. A comedy-adventure about two friends on a road trip to Berlin, filled with unexpected twists and self-discovery.
SCREENINGS
25.10., 20:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
26.10., 20:00
City Kino Wedding
Müllerstraße 74, 13349 Berlin
Ukraine | 2024 | Documentary | 79’
A documentary about people and their pets amidst the Russian invasion of Ukraine in 2022.
SCREENINGS
25.10., 19:00
Sputnik Kino
Hasenheide 54/5th, 10967 Berlin
27.10., 20:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
SPECIAL PROGRAM:
Beyond the shadows – 100 years of Serhii Parajanov
On the 100th anniversary of filmmaker Serhii Parajanov's birth, this year we celebrate the profound legacy of the master of cine-poetic creation. His works, in which he transformed simple stories into breathtaking visual art, were created throughout the former Soviet Union.
USSR | 1969 | 77’
This avant-garde film by director Serhii Parajanov tells the story of the 18th-century Armenian poet Sayat-Nova (Vilen Galstyan). It depicts the stages of his life, particularly his relationships with women, including his muse (Sofiko Chiaureli). Filmed with a static camera, this impressionistic work tells its story through the poet's own verses.
SCREENINGS
24.10., 20:00
SİNEMA TRANSTOPIA
Lindower Str. 20/22/Haus C, 13347 Berlin
PERFORMANCE + FILM SCREENING
“Shadows of Forgotten Ancestors” is considered a masterpiece of Ukrainian poetic cinema, in which Serhii Parajanov captures the visual poetry and folklore of the Hutsuls and breaks the boundaries of traditional filmmaking. Parajanov, a visionary director, was known for his distinctive style and creative rebellion against convention, making him an iconic figure in world cinema.
The UFFB presents a newly restored film copy produced by the Cineteca di Bologna with the support of Martin Scorcese's World Cinema Project foundation. The restoration was completed by L'Immagine Ritrovata in 2024.
SCREENINGS
24.10., 20:00
silent green Kulturquartier
Gerichtstraße 35, 13347 Berlin
USSR | 1969 | 77’
This avant-garde film by director Serhii Parajanov tells the story of the 18th-century Armenian poet Sayat-Nova (Vilen Galstyan). It depicts the stages of his life, particularly his relationships with women, including his muse (Sofiko Chiaureli). Filmed with a static camera, this impressionistic work tells its story through the poet's own verses.
SCREENINGS
24.10., 20:00
SİNEMA TRANSTOPIA
Lindower Str. 20/22/Haus C, 13347 Berlin
PERFORMANCE + FILM SCREENING
“Shadows of Forgotten Ancestors” is considered a masterpiece of Ukrainian poetic cinema, in which Serhii Parajanov captures the visual poetry and folklore of the Hutsuls and breaks the boundaries of traditional filmmaking. Parajanov, a visionary director, was known for his distinctive style and creative rebellion against convention, making him an iconic figure in world cinema.
The UFFB presents a newly restored film copy produced by the Cineteca di Bologna with the support of Martin Scorcese's World Cinema Project foundation. The restoration was completed by L'Immagine Ritrovata in 2024.
SCREENINGS
24.10., 20:00
silent green Kulturquartier
Gerichtstraße 35, 13347 Berlin
Decolonial Focus
This year's Decolonial program focuses on Soviet colonialism in the post-Soviet landscape and highlights the film traditions of Georgia and Armenia. The films show how cultures have asserted themselves not only politically, but also by reclaiming art and stories as a form of resistance.
Georgia | 2023 | Documentary | 71’
+ Panel Discussion: “Georgian Cinema: Decolonizing the Past, Reflecting on the Present”
In cooperation with Bundeszentrale für politische Bildung
A poignant documentary about refugees in Georgia who have lived in an abandoned luxury hotel for over 30 years, resisting eviction.
SCREENINGS
27.10., 17:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
+ Panel discussion “Decolonizing Minds: Addressing Disinformation and Creative Resistance“
In cooperation with Bundeszentrale für politische Bildung
EXPLOSIONS NEAR MUSEUM by Roman Khimei and Yarema Malashchuk | 2023 | Short film, documentary | Ukraine | 14'
WHERE RUSSIA ENDS by Oleksiy Radynski | 2024 | Short film, Documentary | Ukraine | 25'
SCREENINGS
26.10., 16:00
Cinema at the Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Georgia / France | 2023 | Documentary | 89’
with Q&A after the screening
In cooperation with Bundeszentrale für politische Bildung
Greatness paired with modesty: 93 years old and a daughter, world-famous director Lana remembers her mother Nutsa, Georgia’s first female filmmaker. A cinema legacy that revolves around being human in dark times: feminist, loving, critical of violence.
SCREENINGS
25.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
Georgia | 2023 | Documentary | 71’
+ Panel Discussion: “Georgian Cinema: Decolonizing the Past, Reflecting on the Present”
In cooperation with Bundeszentrale für politische Bildung
A poignant documentary about refugees in Georgia who have lived in an abandoned luxury hotel for over 30 years, resisting eviction.
SCREENINGS
27.10., 17:30
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
+ Panel discussion “Decolonizing Minds: Addressing Disinformation and Creative Resistance“
In cooperation with Bundeszentrale für politische Bildung
EXPLOSIONS NEAR MUSEUM by Roman Khimei and Yarema Malashchuk | 2023 | Short film, documentary | Ukraine | 14'
WHERE RUSSIA ENDS by Oleksiy Radynski | 2024 | Short film, Documentary | Ukraine | 25'
SCREENINGS
26.10., 16:00
Cinema at the Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Georgia / France | 2023 | Documentary | 89’
with Q&A after the screening
In cooperation with Bundeszentrale für politische Bildung
Greatness paired with modesty: 93 years old and a daughter, world-famous director Lana remembers her mother Nutsa, Georgia’s first female filmmaker. A cinema legacy that revolves around being human in dark times: feminist, loving, critical of violence.
SCREENINGS
25.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
Generation Ukraine
In cooperation with ARTE and the Goethe-Institut in Exile, an evening will be dedicated to the consequences of the Russian invasion of Ukraine. The films “Basement” by Roman Blazhan (ARTE France) and “A Bit of Stranger” by Svitlana Lishchynska (ARTE/ZDF) were made as part of ARTE's focus on "Generation Ukraine" and have been successfully screened at international festivals. Admission to these screenings is free.
Ukraine | 2024 | Documentary | 78’
with Q&A after the screening
Dark rooms, heavy doors. On the left are the names of the murdered, on the right those of the deceased. Children's paintings and prayers, despair echoes off the walls. In March 2022, Russian troops invaded the village of Yahidne. The residents were locked in the basement of the school, packed tightly together, for 27 days. Among them 77 children, the youngest just six weeks old. Too little water, too little air. Some lost hope, others lost their minds. The 51-year-old Olha kept a diary of the time as a testimony in case no one survived. When the Russian soldiers were driven out, the inhabitants rebuilt the village.
SCREENINGS
26.10., 18:15
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2024 | Documentary | 90’
with Q&A after the screening
Mariupol-born filmmaker Svitlana's film highlights the experiences of four generations of women, including her own, and shows how Moscow's imperial policies have affected their national identity. Each generation in her family became increasingly Russified. Russia's attack on Ukraine shatters this part of their identities and forces them to find new paths. Svitlana's daughter flees to London, while her mother quietly says goodbye to the Soviet-Russian past. Svitlana herself questions the colonized part of her consciousness.
Watch Trailer
SCREENINGS
26.10., 16:00
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2024 | Documentary | 78’
with Q&A after the screening
Dark rooms, heavy doors. On the left are the names of the murdered, on the right those of the deceased. Children's paintings and prayers, despair echoes off the walls. In March 2022, Russian troops invaded the village of Yahidne. The residents were locked in the basement of the school, packed tightly together, for 27 days. Among them 77 children, the youngest just six weeks old. Too little water, too little air. Some lost hope, others lost their minds. The 51-year-old Olha kept a diary of the time as a testimony in case no one survived. When the Russian soldiers were driven out, the inhabitants rebuilt the village.
SCREENINGS
26.10., 18:15
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Ukraine | 2024 | Documentary | 90’
with Q&A after the screening
Mariupol-born filmmaker Svitlana's film highlights the experiences of four generations of women, including her own, and shows how Moscow's imperial policies have affected their national identity. Each generation in her family became increasingly Russified. Russia's attack on Ukraine shatters this part of their identities and forces them to find new paths. Svitlana's daughter flees to London, while her mother quietly says goodbye to the Soviet-Russian past. Svitlana herself questions the colonized part of her consciousness.
Watch Trailer
SCREENINGS
26.10., 16:00
Filmtheater Colosseum - Kino 2
Schönhauser Allee 123, 10437 Berlin
Film and Disinformation
Ukraine | 2024 | Documentary | 95’
+ Panel discussion “Torn Worlds: Disinformation and the Challenge of Sources in the Russian War of Aggression against Ukraine”
In cooperation with Bundeszentrale für politische Bildung
“Intercepted” explores landscapes and mindscapes of war, showcasing two parallel worlds. It features serene images of destroyed Ukrainian villages after de-occupation, contrasting them with wiretapped phone conversations from 2022 between Russian soldiers and their families. We listen to fragments from an opressive audio archive of moral depravity and war crimes while watching images that bear witness to destruction, but also to liberation and resilience. Thus, “Intercepted” forces us to question our perception of images of war and challenges us to face evidence.
SCREENINGS
24.10., 18:00
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
27.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
Ukraine | 2024 | Documentary | 75’
+ Panel discussion “Film as Resistance: Artistic Practices to Strengthen Resilience Against Disinformation”
In cooperation with Bundeszentrale für politische Bildung
As Russia begins a full-scale invasion of Ukraine, video artist, film director and active member of Babylon'13 team Roman Liubyi attempts to return home to be with his daughter, wife and parents. Roma was working in London when the Ukrainian conflict rapidly escalated with Russia's massive army rolling across the border of his home. He decides to return to his family, whose town soon becomes a battlefield. While they take shelter in basements, cut off from the rest of their country by encircling Russian forces, Roma joins an air intelligence unit, operating drones to locate the whereabouts of the invading force, but also to find those surviving in the most desperate conditions.
SCREENINGS
25.10., 18:00
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Ukraine | 2024 | Documentary | 95’
+ Panel discussion “Torn Worlds: Disinformation and the Challenge of Sources in the Russian War of Aggression against Ukraine”
In cooperation with Bundeszentrale für politische Bildung
“Intercepted” explores landscapes and mindscapes of war, showcasing two parallel worlds. It features serene images of destroyed Ukrainian villages after de-occupation, contrasting them with wiretapped phone conversations from 2022 between Russian soldiers and their families. We listen to fragments from an opressive audio archive of moral depravity and war crimes while watching images that bear witness to destruction, but also to liberation and resilience. Thus, “Intercepted” forces us to question our perception of images of war and challenges us to face evidence.
SCREENINGS
24.10., 18:00
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
27.10., 18:50
IL Kino
Nansenstraße 22, 12047 Berlin
Ukraine | 2024 | Documentary | 75’
+ Panel discussion “Film as Resistance: Artistic Practices to Strengthen Resilience Against Disinformation”
In cooperation with Bundeszentrale für politische Bildung
As Russia begins a full-scale invasion of Ukraine, video artist, film director and active member of Babylon'13 team Roman Liubyi attempts to return home to be with his daughter, wife and parents. Roma was working in London when the Ukrainian conflict rapidly escalated with Russia's massive army rolling across the border of his home. He decides to return to his family, whose town soon becomes a battlefield. While they take shelter in basements, cut off from the rest of their country by encircling Russian forces, Roma joins an air intelligence unit, operating drones to locate the whereabouts of the invading force, but also to find those surviving in the most desperate conditions.
SCREENINGS
25.10., 18:00
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Ukrainian legacies in the archival space
The German Federal Archives have decided to support Ukraine by identifying, digitizing and making accessible Ukrainian films in its collection of over 250,000 works. In a unique project involving Ukrainian film scholars and archivists such as Ivan Kozlenko (Amherst College), Stas Menzelevskyi (Indiana University) and Peter Bagrov (George Eastman Museum), a list of films with a Ukrainian connection has been compiled from the archive. Some of these films have not been preserved in Ukraine or Russia and only exist as contemporary copies on sensitive cellulosenitrate.
The silent film “Pozdorovljaju z perechodom” will be accompanied live by Mykyta Sierov and Daan van den Hurk. This will be followed by a discussion with Adelheid Heftberger (Bundesarchiv, invited) and Anna Onufrienko (Oleksandr Dovzhenko National Center, invited), in which the project and the importance of archiving cultural assets will be discussed.
Two films will be shown to illustrate the project.
Čvanlive Kurča by Ipolyt Lazarchuk | Ukrainian SSR | 1936
Pozdorovlyayu z perehodom by Їvha Hryhorovyč | Ukrainian SSR | 1932 | 63’
In cooperation with Bundesarchiv
SCREENINGS
27.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
Čvanlive Kurča by Ipolyt Lazarchuk | Ukrainian SSR | 1936
Pozdorovlyayu z perehodom by Їvha Hryhorovyč | Ukrainian SSR | 1932 | 63’
In cooperation with Bundesarchiv
SCREENINGS
27.10., 19:00
ACUD Kino
Veteranenstraße 21, 10119 Berlin
Panel talks
27.10., 20:00
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Following the screening of “Hotel Metalurg” by Jeanne Nouchi and George Varsimashvili
In cooperation with Bundeszentrale für politische Bildung
The discussion will bring together exciting guests from the fields of academia, the arts, and activism for a public conversation. The focus will be on the political and cultural legacy of the Soviet Union, which Georgian society must continue to actively grapple with. On October 26th of this year, with crucial government elections, the authoritarian and anti-Western policies of the ruling party Georgian Dream can be decisively rejected. [more]
PanelistIs:
Nino Lejava, Director Belgrad – Serbia, Montenegro, Kosovo Office of the Heinrich Böll Foundation
Katie Sartania, Research Fellow at Leibniz-Zentrum Moderner Orient (ZMO)
Giorgi Kakabadze, Georgisches Zentrum im Ausland (GZA)
Moderation:
Irine Beridze, Postdoc Researcher at Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO) e.V.
26.10.
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Following the Decolonial Short Film Program (“Where Russia Ends”, “Explosions Near the Museum”)
In cooperation with Bundeszentrale für politische Bildung
This panel will explore the multifaceted themes of colonial legacies, media representation, and institutional entrenchment in shaping decolonial approaches. Building on the films presented in the program, the discussion will focus on historical narratives, the portrayal of coloniality, and how institutions can both hinder and promote decolonial frameworks. [more]
Panelists:
Tereza Hendl - philosopher and bioethicist, board member of the RUTA Association
Philipp Goll - cultural researcher, writer
Yarema Malashuk - visual artist and filmmaker
Moderation:
Kateryna Demerza - philosopher, Vitsche e.V.
25.10.
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Following the screening of “Kilometre” by Hanna Tykha
In cooperation with Bundeszentrale für politische Bildung
In times of war, film becomes more than a medium—it is a form of resistance, a beacon against the fog of disinformation.We will discuss how visual storytelling can create room for truth in the midst of chaos. Through the lens of Kilometre, where a family’s survival is a battle fought both at home and on distant frontlines, we confront the role of artistic practices in shaping resilience. Can art help to fight disinformation as well as should the art —providing visual evidence that shows reality clearly and in detail. [more]
Panelists:
Hanna Tykha - Film Director, Babylon #13
Darya Averchenko – Producer, Scriptwriter, and Head of Communication at IDFF Docudays UA
Kateryna Tarabukina – Culture Manager and Curator of Public Programs at Vitsche e.V.
Moderator:
Eva Yakubovska - Historian, Culture Manager, Vitsche e.V. / Pilecki Institute Berlin
24.10.
Kino im Zeiss-Großplanetarium
Prenzlauer Allee 80, 10405 Berlin
Following the screening of “Intercepted” by Oksana Karpovych
In cooperation with Bundeszentrale für politische Bildung
This panel will unfold like a conversation at the crossroads of fractured realities. As Intercepted (2024) peels back the layers of sound and image, revealing lives divided between the frontlines and distant homes, we confront a deeper question: how do we navigate the torn landscape of truth in war? In the shadow of disinformation, sources become both anchors and drifting objects—holding fragments of clarity while being pulled by powerful currents of manipulation. Our speakers will grapple with the delicate task of making sense of these fragments, where every narrative is contested, and every source is a thread in a larger, tangled web of stories. [more]
Panelists:
Dr. Franziska Davies - Historian
Alina Gorlova - Artist and Film Director
Christopher Nunn - Director of Photography for Intercepted, Photographer
Max Bernhard, specialist in digital research and Open-Source Intelligence, Correctiv e.V (OSINT)
Moderator:
Eva Yakubovska - Historian, Culture Manager, Vitsche e.V. / Pilecki Institute Berlin