Magic Mountain

Abastumani, a unique resort in Georgia and former tuberculosis sanatorium, must yield to the country’s richest man — explored through the director’s personal connection to a place that once represented solidarity and mutual care.

Self-Portrait along the Borderline

A Georgian-Abkhazian director revisits her abandoned house in occupied Abkhazia after more than 20 years, using family archives to reconstruct an intimate portrait of her family while reflecting on identity, trauma and loss.

Dovbush

18th-century Carpathian Hutsuls face foreign rule as the Dovbush brothers rise as mountain outlaws — Oleksa chooses to fight for his people’s freedom while his brother pursues wealth.

A Room of My Own

Tina and Megi, two young women from vastly different social backgrounds, become roommates by chance. Their shared flat becomes a space of mutual support despite their contrasting worlds.

Such Late, Such Warm Autumn

A peasant who left for Canada in search of a better life returns home to Bukovyna with his granddaughter Orysia, who discovers her own national identity and falls for a local boy, played by director Ivan Mykolaychuk himself.

Babylon XX

Set in the 1920s Ukrainian village of Babylon, this directorial debut by actor Ivan Mykolaychuk examines the clash between the old and new political worlds. Premiered internationally at the Locarno Film Festival.

The White Bird Marked with Black

A landmark of Ukrainian poetic cinema weaving mystical elements and folklore to symbolize the nation’s journey for identity and liberation — ranked 8th among the 100 best films in Ukrainian cinema history.

Luxembourg, Luxembourg

Identical twins — Kolya, a drug dealer, and Vasya, a law enforcement officer — living contrasting lives in Lubny travel to Luxembourg to see their sick father one last time, questioning family bonds and memory.

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